Time Brings About A Change— A Floyd Dixon Celebration Released By HighJohn Records
The Late Pianist Is Joined By Pinetop Perkins, Henry Gray and Kim Wilson On His
Final Recording
Robert Auerbach, CEO/founder of HighJohn Records, LLC is proud to announce the release
of Time Brings About A Change—A Floyd Dixon Celebration. In a live concert recorded
at Bob Corritore’s Rhythm Room in Phoenix, Arizona, Floyd is joined by fellow blues
piano masters Pinetop Perkins and Henry Gray, Fabulous Thunderbirds founder/lead
singer/harmonica player, Kim Wilson and soul singer, Johnny Tucker. Kid Ramos, the
acclaimed guitarist who spent part of his career building the T-Birds storied legacy,
serves as producer of the record, and musical director of the veteran all-star band
that backed the headliners. The music was recorded on June 1 and 2, 2006, just fifty-five
days before Floyd succumbed to cancer at age 77.
For more information contact:
Red Rooster Publicity
David Budge
2507 Crestmoore Place
Los Angeles, CA 90065
Phone: (323) 982-1400
Fax: (323) 982-1500
E-Mail: RoosterPub@Aol.Com
When it comes to blues piano, there are no better exponents than Floyd Dixon, Pinetop
Perkins and Henry Gray. Floyd set the tone for the jump blues style that dominated
the early 50s in Los Angeles with his signature hits, Telephone Blues”, “Call Operator
210” and, later “Hey Bartender”. Living Blues Magazine, which last fall put Floyd
on its cover, just released its prestigious Critics’ Poll, acknowledging Floyd as
”Best Piano Player”. The credentials of Perkins and Gray are impeccable. Pinetop
spent a decade as piano player in Muddy Waters’ touring band and Henry Gray devoted
a dozen years to Howlin Wolf’s band, adding his distinctive work to one of the blues
grittiest sounds.
As Kid Ramos poured over the tapes with production team members Auerbach ,engineer
Clarke Rigsby and Rhythm Room owner/musician/DJ, Bob Corritore, one thing became
apparent—this blues summit turned out to be a musical collaboration for the ages
and the resulting album bears witness to the many contributions these “founding
fathers” have made to the blues. Auerbach made it clear from the outset of the project
that he was concerned with presenting history in the making—and he spared no expense
to provide Floyd and his musical guests with an opportunity to perform at the top
of their game.